The film ‘Mother India’, is a tale about a lady Radha (Nargis Dutt) who weds Shamoo (Raj Kumar) and goes to his town, where she finds that her relative, Sundar Chachi, has kept their property as home loan to the town userer, Sukhilala, for an advance of 500 rupees to pay for their marriage. Presently, since they need to take care of the credit, Radha and Shamoo choose to deal with a bone-dry land parcel. While moving the stones from that land one of them moves on to Shamoo’s arms and accordingly he must have them excised. With his arms gone, he feels vulnerable as he is of no utilization to the family now and flees abandoning Radha. Sukhilala exploits the circumstance. He proposes to give Radha food as a trade off for her sexual courtesies. Radha stays solid for quite a while and relentlessly denies his proposition. However, at that point, being not able to bear the way that her kids are starving, she consents to have intercourse with Sukhilala. So she goes to his home, however when she is going to submit herself to him, she sees a heavenly sign of her significant other as yet being alive and quickly goes out.
Next we see that her two children Birjoo (Sunil Dutt) and Ramoo (Rajender Kumar) are developed men. Ramoo is the mindful sorts while Birjoo is a greater amount of a forceful individual. The way that they actually need to give three-fourth of their produce to Sukhilala makes Birjoo crazy. His animosity turns into a reason for aggravation to the townspeople. Regardless of a few supplications by Radha the townspeople toss him out of the town and afterward he transforms into a conduit. At the point when Sukhilala chooses to get his little girl wedded, Birjoo takes steps to steal her from the wedding function itself. To this mangalsutra guarantees Sukhilala that she would secure his little girl? Accordingly when Birjoo shows up she shoots him dead.
Numerous scenes in the film portray the accommodating idea of a lady. For instance when Sukhilala is pursuing Radha in his home and is going to get her, she tumbles to the floor directly before her mangalsutra which she had discarded on arriving at his home. Presently taking a gander at her mangalsutra before her she gets a heavenly sign about her better half being alive. She at that point goes out swiftly and returns to confront her sufferings with new expectation. From this model, the idea of Radha being accommodating to her better half and furthermore her heavenly love for her significant other can be seen.
